Viral Zombie Love Trend with Google Flow (Free) Prompt

Create a 9.8-second photorealistic cinematic short film told in EXACTLY 8 shots, connected ONLY by clean hard cuts at the timings specified below.
VISUAL STYLE:
Live-action cinematic photography.
35mm anamorphic lens.
Shallow depth of field.
Soft natural film grain.
Realistic skin texture.
Realistic physics.
Natural cinematic lighting.
High-end dramatic short-film look.
ONLY TWO PEOPLE EXIST IN THE ENTIRE FILM.
THE MAN:
Use reference @image1.
Preserve his exact facial identity throughout the entire video:
same face shape, same eye color, same eyebrows, same nose, same jaw, same lips and same light stubble.
Short dark hair, mostly hidden underneath his beanie.
THE MAN’S WARDROBE — MUST REMAIN IDENTICAL:
Beige knit beanie.
Petrol-blue winter parka with orange zippers.
Black gloves.
Black pants.
Dark winter boots.
THE WOMAN:
Use reference @image2.
Preserve her exact facial identity:
same face shape, same eye color, same eyebrows, same nose, same lips and same shoulder-length blonde-brown hair with darker roots.
SUPERNATURAL WOMAN LOOK:
The same woman remains clearly recognizable.
Her skin is pale grey-blue with subtle cracked texture.
Dark veins are visible around her eyes.
Her eyes are cloudy milky-white without visible pupils.
Her lips are slightly parted, showing teeth.
Her hair is tangled and messy.
She wears a torn dirty beige dress and is barefoot.
Keep the transformation cinematic and non-graphic.
No blood.
No wounds.
No gore.
LOCATION — THE CABIN:
An abandoned snow-covered stone-and-timber mountain cabin during cold blue-grey winter daylight.
Fine snowflakes drift slowly through the air, including subtly inside the cabin.
MAIN ROOM:
Large white multi-pane windows on the back wall glowing with snowy daylight.
Old pale-grey wooden cupboard on the left.
Rough wooden table and wooden chairs.
Heavy log ceiling beams.
KITCHEN:
At the far end through a stone archway on the right.
Warm wooden cabinets.
Open shelves filled with jars.
White enamel stove.
Tall white refrigerator.
Worn tile floor.
CAMERA LANGUAGE:
35mm anamorphic cinematic framing.
Shallow depth of field.
Natural realistic motion blur.
Static camera unless specifically stated.
No unnecessary camera movement.
SCREEN DIRECTION:
In shots 7 and 8, THE WOMAN moves from SCREEN RIGHT toward SCREEN LEFT.
SPEED:
Shots 1–6 are normal real-time speed.
Shots 7–8 are faster and more energetic.
No speed changes within any individual shot.
Every shot begins with a CLEAN HARD CUT.
No dissolves.
No fades.
No transitions.
No merged shots.
No slow zooms.
────────────────────
SHOT 1 — 0.0 to 1.3 seconds
THE CABIN.
Tight cinematic close-up on THE MAN’s face.
Use the supplied crying-man reference image as the visual guide for his expression and composition.
His eyes are red and filled with tears.
Several tears are already running down both cheeks.
His jaw is tense.
His lower lip is slightly trembling.
A realistic black handgun is held in the foreground.
The handgun muzzle occupies the bottom-left foreground and is heavily out of focus.
The handgun is pointed toward the camera direction.
THE MAN’s face remains the primary sharp focus.
Strong cinematic depth separation between the handgun and his face.
Camera static with only an extremely subtle handheld breathing movement.
────────────────────
SHOT 2 — 1.3 to 2.5 seconds
THE CABIN.
Over-the-shoulder shot from behind THE MAN.
His dark sleeve and realistic black handgun occupy the left foreground.
The handgun remains slightly out of focus.
The camera looks across the main room toward the KITCHEN.
THE WOMAN in her SUPERNATURAL LOOK stands between the white enamel stove and the tall white refrigerator.
Her arms hang naturally.
Her head is slightly lowered.
She slowly takes one heavy step toward THE MAN.
Camera static.
────────────────────
SHOT 3 — 2.5 to 4.2 seconds
THE CABIN.
Tighter close-up on THE MAN than shot 1.
Camera positioned slightly lower.
The black handgun is now visible in the bottom-right foreground, heavily out of focus.
His hand holding it trembles slightly.
Tears stream down both cheeks.
His lower lip quivers.
He struggles emotionally to maintain his composure.
Camera static.
────────────────────
SHOT 4 — 4.2 to 5.7 seconds
THE CABIN — KITCHEN.
Close-up on THE WOMAN in SUPERNATURAL LOOK.
The wooden shelves containing jars are softly blurred behind her.
Her cloudy white eyes look directly toward THE MAN.
Her lips remain slightly parted.
She breathes slowly and heavily.
Her head tilts slowly from one side toward the other.
Her expression is mysterious, intense and emotionally unsettling.
Camera static.
────────────────────
SHOT 5 — 5.7 to 7.2 seconds
THE CABIN.
Return to the same close-up framing as shot 3.
THE MAN slowly lowers the black handgun.
The handgun moves downward and disappears completely below the bottom edge of frame.
One final tear falls from his cheek.
He slowly closes his eyes.
He keeps his eyes closed.
Camera static.
────────────────────
SHOT 6 — 7.2 to 8.4 seconds
THE CABIN — MAIN ROOM.
Medium-wide frontal shot.
THE MAN stands centered.
The bright white multi-pane windows are behind him.
The old grey cupboard is at frame left.
Wooden chairs surround him.
THE MAN releases the black handgun from his right hand.
The handgun falls naturally onto the wooden floor.
It makes a realistic metallic clatter against the wood.
He then slowly spreads both arms wide.
His palms are open.
His eyes remain closed.
His body language communicates complete emotional surrender and acceptance.
Camera static.
────────────────────
SHOT 7 — 8.4 to 9.4 seconds
THE CABIN.
Return to the same general over-the-shoulder composition as shot 2.
THE MAN’s open right arm is visible toward frame right.
The black handgun remains on the wooden floor and is no longer in his hand.
THE WOMAN suddenly moves rapidly out of the KITCHEN toward THE MAN.
She travels from SCREEN RIGHT toward SCREEN LEFT.
Her tangled hair flies naturally with her movement.
Her arms extend toward him.
Natural cinematic motion blur.
Her movement becomes a rapid emotional approach.
In the final moments she jumps toward THE MAN with her arms extended.
────────────────────
SHOT 8 — 9.4 to 9.8 seconds
THE CABIN.
THE WOMAN reaches THE MAN and wraps both arms around his neck.
THE MAN catches her.
Her chest meets his chest.
Her body becomes horizontal in the air.
Her legs extend and trail toward SCREEN RIGHT.
Her hair swings forward past his shoulder.
THE MAN’s weight tips backward.
His rear foot lifts from the floor.
Both bodies tilt together toward the BOTTOM-LEFT of the frame.
The large white multi-pane windows remain visible behind them.
Use realistic body physics and natural motion blur.
END THE CLIP MID-FALL.
They must NOT reach the floor.
The final frame must clearly show the airborne embrace.
The exact final airborne pose will be used as the starting reference for Scene 2.
────────────────────
AUDIO:
No dialogue.
No music.
No voice.
Only:
cold winter wind,
THE MAN’s shaky breathing,
subtle cabin ambience,
the handgun clattering against the wooden floor in shot 6,
rapid footsteps in shot 7.
────────────────────
STRICT NEGATIVE INSTRUCTIONS:
No extra people.
No blood.
No gore.
No wounds.
No biting.
No physical attack.
No text.
No subtitles.
No logos.
No wardrobe changes.
No facial identity changes.
No extra limbs.
No distorted hands.
No deformed faces.
No camera shake except extremely subtle handheld breathing.
No dissolves.
No fades.
No merged shots.
No dialogue.
No lip-sync speech.

Create a 10-second photorealistic cinematic memory sequence.
IMPORTANT:
Use the supplied final frame from Scene 1 as the PRIMARY visual reference for the FIRST FRAME of this video.
The first frame must match the supplied reference as closely as possible:
same man,
same woman,
same facial identities,
same airborne embrace,
same body positions,
same body angle,
same relative size,
same screen direction,
same camera distance,
same framing.
The physical movement must continue seamlessly from that exact airborne pose.
This is a MATCH CUT into a warm memory.
The physical action remains continuous.
Only THREE visual elements change:
1. LOCATION:
from the cold mountain cabin to a snowy mountain slope.
2. LIGHTING:
from cold blue-grey cabin daylight to warm golden-hour sunlight.
3. THE WOMAN’S APPEARANCE:
from her supernatural appearance to her healthy MEMORY LOOK.
Everything else remains physically continuous.
ONLY TWO PEOPLE EXIST.
────────────────────
THE MAN:
Same exact man from reference @image1.
Preserve his exact face:
same face shape,
same eye color,
same eyebrows,
same nose,
same jaw,
same lips,
same light stubble.
WARDROBE REMAINS IDENTICAL:
Beige knit beanie.
Petrol-blue winter parka with orange zippers.
Black gloves.
Black pants.
Dark winter boots.
No wardrobe changes.
────────────────────
THE WOMAN:
Same exact woman from reference @image2.
Preserve her exact identity:
same face shape,
same eye color,
same eyebrows,
same nose,
same lips,
same shoulder-length blonde-brown hair with darker roots.
MEMORY LOOK:
Healthy warm glowing skin.
Natural eye color.
Soft natural makeup.
White shearling coat.
Black pants.
Fur-trimmed winter boots.
She is completely healthy and joyful.
────────────────────
THE SLOPE:
Open snowy mountain slope during golden hour.
Deep untouched powder snow.
Dry winter twigs poking through the snow.
Bare winter trees.
Layered mountain ridges in the distance.
A large low orange sun close to the horizon.
Warm golden backlight.
Natural cinematic lens flare.
Soft drifting snow.
Warm, nostalgic, joyful and dreamlike atmosphere.
────────────────────
CAMERA:
35mm anamorphic lens.
Photorealistic live-action.
Shallow depth of field.
Soft natural film grain.
Realistic skin.
Realistic snow physics.
Natural cinematic lighting.
The camera distance and framing in shot 9 must match the supplied Scene 1 reference frame.
────────────────────
SPEED:
THE ENTIRE VIDEO is graceful slow motion, approximately half speed.
Slow motion begins immediately at the FIRST FRAME.
No speed changes inside the sequence.
────────────────────
SHOT 9 — 0.0 to 0.7 seconds
THE SLOPE.
START EXACTLY FROM THE SUPPLIED REFERENCE FRAME.
THE MAN and THE WOMAN are airborne in the exact same embrace.
THE WOMAN’s arms are locked around THE MAN’s neck.
Her chest is against his chest.
Her body is horizontal.
Her legs trail toward SCREEN RIGHT.
THE MAN is tipping backward.
Both bodies are tilted toward the BOTTOM-LEFT.
Continue the same fall seamlessly.
They slowly descend into deep powder snow.
THE MAN lands naturally on his back.
THE WOMAN lands safely on top of him.
A beautiful cloud of powder snow rises around them.
Snow particles remain suspended in the warm sunlight.
They begin laughing naturally.
Camera static.
────────────────────
SHOT 10 — 0.7 to 2.5 seconds
THE SLOPE.
Very low camera angle at snow level.
The sun is directly behind them.
Strong warm backlight creates a cinematic glow and natural lens flare.
THE MAN and THE WOMAN lie together in the snow.
THE WOMAN rests on top of THE MAN and hugs him.
Their heads are close together.
They are smiling and quietly laughing.
Nothing moves quickly.
Snowflakes drift gently through the golden light.
Camera static.
────────────────────
SHOT 11 — 2.5 to 4.8 seconds
THE SLOPE.
Close-up of THE WOMAN in MEMORY LOOK resting her face against THE MAN’s chest.
His petrol-blue parka and orange zipper are visible in the lower-right of frame.
His bare hand gently cups her left cheek.
Her eyes are closed.
A soft smile slowly grows into genuine laughter.
Her teeth become naturally visible.
Snowflakes drift through her shoulder-length hair.
Golden sunlight illuminates her face and hair.
Camera static.
────────────────────
SHOT 12 — 4.8 to 6.1 seconds
THE SLOPE.
Close-up of THE MAN lying peacefully in the snow.
His beige knit beanie remains on.
His eyes are closed.
He has a peaceful genuine smile.
Small snow crystals rest naturally on his stubble and cheeks.
The top of THE WOMAN’s head appears at the bottom of frame.
Warm golden light falls across his face.
Camera static.
────────────────────
SHOT 13 — 6.1 to 8.4 seconds
THE SLOPE.
Camera positioned behind THE MAN and THE WOMAN.
Slow cinematic tracking forward.
THE MAN and THE WOMAN run hand in hand through deep snow away from camera toward the setting sun.
They move entirely in graceful slow motion.
Snow rises gently behind their boots.
THE WOMAN’s hair lifts softly in the winter breeze.
Their long shadows stretch toward the camera.
The sun glows over the distant mountain ridges.
The scene feels free, joyful and dreamlike.
────────────────────
SHOT 14 — 8.4 to 9.7 seconds
THE SLOPE.
Wide cinematic shot.
THE MAN and THE WOMAN embrace on a snowy hilltop.
The large low orange sun is centered on the horizon behind them.
A bare winter tree stands at frame left.
Layered mountain ridges fill the background.
Long shadows stretch toward the camera.
Snow particles drift slowly through the golden light.
Camera static.
────────────────────
SHOT 15 — 9.7 to 10.0 seconds
THE SLOPE.
Close-up from behind THE WOMAN’s head and shoulder.
THE MAN slowly leans toward her.
He gently kisses her forehead.
His eyes are closed.
She remains peacefully close to him.
The orange sunset sky glows behind them.
Her hair moves gently in the breeze.
Hold on this intimate final frame.
END.
────────────────────
AUDIO:
No dialogue.
No music.
No voice.
Only:
soft snow crunch,
quiet genuine laughter,
gentle winter wind,
subtle movement of clothing.
────────────────────
STRICT NEGATIVE INSTRUCTIONS:
No extra people.
No supernatural appearance in the memory.
No zombie appearance.
No weapons visible in the memory.
No violence.
No blood.
No gore.
No wounds.
No fighting.
No text.
No subtitles.
No logos.
No wardrobe changes.
No facial identity changes.
No extra limbs.
No distorted hands.
No deformed faces.
No unnatural body movements.
No sudden camera movements.
No camera shake.
No dissolves.
No fades.
No artificial transitions.